Sika Deer, Dorset 2011

Canada Warbler, Spring 2011

Crows

I’ve come to love the call of Carrion Crows. Even though they rarely visit the garden, I hear them every day, often from inside the comfort of our cottage. Maybe their wild sounds remind me of bitterly cold winter days in North American woods, where the evocative call of crows seems to define the space and is usually the only sound, but perhaps it’s something more basic. My childhood was spent on remote northern hill; I can’t honestly say I remember crows, but they must have been imprinted deep into my mind.

I live surrounded by them; Jackdaws, Magpies, Rooks and Carrion Crows are part of my everyday life and a Jay often pops into the garden. I usually hear the odd Raven overhead each day and I need only go down to the cliffs to find Choughs. But crows are at their best on winter evenings, when great noisy flocks of Rooks and Jackdaws gather over our village in pre-roosting gatherings to perform spectacular aerial displays. They eventually drift away in the same general direction just as it gets dark. I don’t know exactly where they finally roost, they may end up together, but I’ve always assumed that the Rooks go one way and the Jackdaws another.

Winter Solstice

Dusk on the winter solstice is when darkness finally looses its battle with light. I quite like the shortest day, it brings hope of a new beginning and I know that in a couple of weeks, signs of spring will start to appear. Even though it’s cold, I already notice the first tiny shoots of snowdrops breaking through in the hedgerows. They won’t flower for at least a month yet, but just seeing them is enough to lift the spirit. In a sheltered corner of the garden, a clump of bluebells is already an inch or so high. They’re not real, just hyacinths planted out and reverting to their original form.

I like to see what time it gets dark on the shortest day. It’s just after 4 o’clock and as the light fades, there’s an eerie glow to the garden lighting up the goldfinches on the ground under the feeders. Gradually the light dims, the wind drops and all becomes still; the birds disappear and little moves. A robin sneaks in for a last morsel and a blackbird crosses the murk to roost in the hedge at the bottom of the garden. I peer through the window looking for life and catch sight of a coal tit nipping in to take a sunflower seed. At 4.15 it’s all over and by 4.30 I can just about make out the feeders. Darkness falls by 4.45 and my welcome light clicks on to illuminate the willow tree, but reminds me that I should think again about this needless use of carbon.

It’s amazing how the evenings appear to lengthen after the turn of the year. Each day is longer by about two minutes, but I always feel that there’s a speeding up of lighter nights in late January. Best of all is when the sun shines and prolongs these tediously short winter days.

Wildlife Carols

A little light snow begins to fall as my train nears London, not much, but enough to change the landscape. A leaden-grey sky merges with dead-looking trees, a few with white-covered branches. Some fields between Reading and Paddington have a little dusting, making Canada geese glow in the reflected light. Straight furrows are painted white and exotic looking male Pheasants seem unperturbed by the rushing alien monster only yards away. In the city the snow vanishes, but the bitter cold chills to the bone. It was better to be on the train.

From King’s Cross on the East Coast line, like magic the whiteness reappears, but now its frost. Welwyn Garden City speaks of Sir John Betjeman; the rhythm of the train reminds me of his nostalgic lines, his wicked smile and his wonderful statue at St Pancras Station. We plough on past flat, damp, green fields, where the white stuff has not visited. There’s little evidence of wildlife save for crows and hundreds of Woodpigeons and Starlings lining the monotonous telephone wires. A few nervous-looking deer venture out from the shelter of an occasional wood to raid winter crops. I know there’s other life out there, but we’re moving too fast. A hovering Kestrel is gone in the blink of an eye and silver birches, with dark brunet branches become all the rage. Winter willows and poplars punctuate the hedge-free landscape of over-improved fields; it’s so different from the diversity of Wales.

I arrive in time for the annual Christmas carol service for the Wildlife Trusts in a mediaeval sandstone village church. The second reading is ‘Christmas’ by John Betjeman; it brings a great lump to my throat and fills my whole being with pride.

The holly in the windy hedge

And round the Manor House the yew

Will soon be stripped to deck the ledge,

The altar, font and arch and pew,

So that the villagers can say

'The church looks nice' on Christmas Day

Kings of the Cliffs

It’s not long now to the shortest day and Ravens are already stirring on the cliffs. They mate for life and nest early. I know they’re thinking about it; croaking males repeatedly flip over in flight showing off flying skills and keeping more or less to the same stretch of cliff. Soon sticks will be carried in to refurbish last season’s nests and before the winter’s end they’ll probably have eggs.

I can go to several spots on the coast confident that I’ll find them. Nesting sites are possibly centuries old and never seem to vary. Each pair is known by its location and in strong wind, I walk west along the cliff path to look at my local pair. Prevailing westerly winds and heavy rains have flattened the bracken and few small birds stir. I dip down to the warmer rocky shore. The tide rules life down here and in winter I can always guarantee to find Rock Pipits eking out a living from the flotsam and splash zone.

The Ravens are busy, their wild croaks never far away. As I near the nesting ledge, I find them sitting peacefully on the grassy slope above the substantial remains of this year’s nest. Only when this close do I appreciate the difference in size with the diminutive Jackdaws. A pair of Choughs flies east, glinting in the feeble sunlight, they too dwarfed by the bulky Ravens. Man is the only enemy of Ravens and here on the remote cliffs they’re kings of all they survey.

The Script of Stones

Even though it's nearly mid December and there’s a cold wind blowing from the north, it’s sheltered in my secret place overlooking Hunts Bay. I sit, high up, back to the cliffs overlooking the Bay, the raging sea below dotted with pools of light shooting through ever changing clouds. Only the locals know this little shelf and I’ve never been disturbed here. It’s the place where the poet Vernon Watkins would sit and write with his friend and colleague Dylan Thomas. Vernon lived in a house on the cliff; his son still lives there.

There’s a small stone plaque set into the face of the cliff bearing a couple of Vernon’s most famous lines:

I have been taught the script of stones

and I know the tongue of the waves

These magical words define the mood of this beautiful place and give the Bay a very special feel.

The view from here is spectacular. Lundy Island drifts in and out of view behind distant clouds. Limestone outcrops protrude from thick gorse, some still yellow, but a great headland dominates the shore, where Oystercatchers and Grey Herons search for crabs in the mat of seaweed and myriads of rock pools. At this time of year wildlife is scarce, but a pair of glorious Stonechats and a Robin more than make up for the winter browns of the dying bracken.

Simple Beauty

It’s getting colder now and there’s a promise of frost tonight, the first this winter. A clear blue sky and a northwesterly wind always produces wonderfully bright clean light and even though the countryside looks bare and is closing down for the winter, there’s simple beauty everywhere. On old stonewalls, amongst slowly withering Toadflax, the sun lights up vibrant green holly with berries, some still to ripen; they’ll be ready in time for the Redwings and Fieldfares that usually arrive late in these more temperate western parts.

Above, in mostly bare trees, nests that I missed in the spring stand out. Only a few leaves hang on and it’s the turn of greys and browns to paint the beauty of the trees. There’s simple colour everywhere; the deep rusts and bright yellows of the last autumn leaves, to the magic grey barks of beach and birch. I can’t decide which is more beautiful, the infinite shades of summer greens or the intricate geometry of winter branches.

Shaded by the bank of a small steam, a lonely Red Campion, a last remnant of summer’s glory hangs on, but like everything else will soon succumb to winter.

18th Century Farms

I decided to take the mountain road from Abergavenny to Hay. This is old countryside, stuck in an 18^th century time warp. I stop at a favourite corner and could be looking at a vignette from a musty old book. An unkempt farm with broken down outbuildings and old wooden fences nestles under the foothills of Offa’s Dyke. Even though a stiff breeze blows over the bluff a mile or so ahead, smoke rises vertically from the farmhouse chimney pot. I wonder what the inside is like; maybe they don’t have electricity. Serious rain falls in these parts and steaming Welsh Black cattle, caked in mud, walk slowly through the damp fields. There’s a timeless feel to the place and I think of my mentor Gilbert White again and imagine that Selborne felt like this centuries ago.

I drive on slowly through the narrow lanes. A well-dressed country lady in jodhpurs rounds the bend leading a pair of perfectly groomed horses and disappears into an immaculate farmyard. The yuppies are here and I realize that this romantic 18^th century world will vanish soon. I go back to take a picture of the old farm, but think twice about it; it’s the feel of the place I want to bottle and I can’t capture this in a photograph. Each time I take this road I vow to return and look for more old farms, but of course I never do. Maybe this one is the last one and the rest have all been improved by city dwellers from the east.

There are no more romantic farms up the hill towards Hay Bluff. The tops are rugged with buzzards and ravens playing in the wind. From the summit I can see for miles. The magical Brecon Beacons stretch out to the west and behind me is rolling English countryside. The incomers will find it hard to change this.

Purple Sandpipers

Drawing back the curtains this morning reveales a hint of frost on the lawn. There may be rain later, so I hurry over breakfast to give myself ample time for my promised visit to Sedger’s Bank and Purple Sandpipers. Low water exposes an extensive flat, rocky pavement at the western end of Port Eynon Bay and I need to get to the water’s edge to find them. On the way out, the sandy beach is always interesting; I pass a couple of Grey Plovers, a small flock of Ring Plovers, Sanderlings, Oystercatchers, a Grey Heron, Little Egrets and many gulls, but it’s the Turnstones I’m looking for; that’s where the Purple Sandpipers will be.

It’s wild here; the sound of Curlews, Oystercatchers and Herring Gulls mixes with the wind and crashing waves; there are no human influences. I realise again how fortunate I am to live in this place. There’s solitude too and as rain-bearing clouds begin to move in from the west, I hope that the ever-changing weather will hold long enough. Offshore, Shags dive through the surf and Cormorants slip from the surface, perhaps in search of the same fish. Wintering flocks of Great-crested Grebes are here throughout the winter and I find at least ten riding out the waves.

Turnstones are less confiding than Purple Sandpipers and once a flock is put up it’s easy to separate the two. In flight Purple Sandpipers lack gaudy white wing patterns and are easy to pick out, but against the rocks they can be overlooked. They usually hang out at the very edge of the sea and so getting to them needs effort. I count more than twenty, but there are likely to be more and as usual some of them are very tame indeed.

Turning for home as the sun tries to break through the watery clouds, I catch sight of a diver offshore. It’s too far out to identify precisely; Great Northern, Red-throated, or Black-throated, it doesn’t really matter and knowing would make little difference to the enjoyment of my morning.

A Thin Black Line

There’s a place we sit to have lunch down by the salt marsh. It overlooks a small creek running out to the estuary and we’re often the only people there. Tides go in and out quickly here and there is almost always exposed mud on both sides of the creek. We park the car on a downward facing boat-slip overlooking the water and stay put. Brightly coloured fishing boats lean sideways, bottomed out in the shallow water and a warm glow from the west creates a tranquil mood. We’re only 20 or so yards from the water and the wildlife will tolerates us provided we stay put in the comfort of the car.

There are always Black-headed Gulls here; they come close, especially when there’s the slightest suggestion of opening the car windows. Redshanks, Curlews and the odd Lapwing search for morsels in the mud and Little Egrets wade elegantly in the stream, sometimes darting to catch a fish. Left and right the ducks are more timid; Teal, Mallard and far-off Widgeon never come close.

On the far bank, Great Black-backed and Herring Gulls, some preening others sleeping, shine brilliantly in the sunlight. A few Common Gulls arrive, but don’t stay for long. Far out, Shelducks are just visible feeding in the deep sward of spartina grass that covers the salt marsh. On the distant estuary proper, thousands of Oystercatchers are spread out, feeding on the vast cockle beds, but from here paint just a thin black line on the horizon.

There are small birds here too; Pied Wagtails, Meadow Pipits, Starlings always and, sometimes like today, small groups of Linnets.

There are wild ponies living on these salt marshes; they too come close, but only when the weather turns against them.